The 2026 programme of short, intensive and summer courses offers a rich array of options to suit every need. Individuals with some experience, as well as craftsmen and artists looking to add something new to their skills or start a new venture, and even those who have never tried their hand at jewellery making, will find intri guing and stimulating elements.
With a flexible time commitment ranging from one day/3 hours to four weeks/100 hours, we provide a training path suitable for all levels of experience.
15% discount on total tuition for enrolment and payment by December 31, 2025 for Seminars.
15% discount on total tuition fees for registration and payment by 31 May 2026 for Intensive and Flash courses.
Flash Courses
Intensive Courses
Seminars
Craft Experiences
Guest Courses
These are ultra-short courses, ranging from 1 to 5 days in duration. The content is technical and practical, involving a demonstration phase by the instructor followed by hands-on exercises for students. All flash courses are taught by LAO’s faculty and instructors…
The 3–4-week intensive courses are open to everyone, offering the opportunity to acquire professional technical skills in a short timeframe. They can be especially beneficial for individuals who are already working or studying and cannot commit to long-term courses…
LAO invites guest teachers and artists from the jewellery world to lead workshops, offering students the chance to exchange ideas and gain insights from professionals. These workshops are a valuable tool for professional growth and provide a platform for creative experimentation…
LAO offers one- to two-day courses to all those who want to try their hand at making a piece of jewellery under the guidance of a master craftsman and take a precious memory of Florence with them. No previous experience is required.
Indivitual courses are taught by experienced and qualified teachers who impart their knowledge and skills to students.
The individual courses are an excellent opportunity to learn the techniques needed to make high-quality jewelry.
Interested can contact the administration to request courses: info@artiorafe.it
LAO offers specialized courses lasting from 1 to 4 weeks designed exclusively for groups with shared educational objectives.
To ensure effective learning, the course content is customized based on the group’s needs. Groups must be as homogeneous as possible regarding acquired skills, learning objectives, and language proficiency.
For admission requirements for access to each course and for further details write to info@artiorafe.it.
* Per ulteriori dettagli scrivere a info@artiorafe.it
These are ultra-short courses, ranging from 1 to 5 days in duration. The content is technical and practical, involving a demonstration phase by the instructor followed by hands-on exercises for students.
All flash courses are taught by LAO’s faculty and instructors.
| Title/Contents | Course code | Duration | Schedule | Deadline | Tuition Fees | Requirements of admission | Enrolment |
| Introduction to Rhino3D for Goldsmithing - Online courses | CAD.WE1 | 12 hours - 2 days | 18 - 19 September | September, 10th | € 300 | Enroll |
| Title/Contents | Course code | Duration | Schedule | Deadline | Tuition Fees | Requirements of admission | Enrolment |
| Ink pen sketches and renderings | RE.2 | 15 hours 4 days | 6 - 9 July | 20 June | € 450 | Enroll | |
| Rendering with markers and watercolor pencils | RE.3 | 15 hours 4 days | 13 - 16 July | 30 June | € 450 | Enroll | |
| Digital rendering | RE.4 | 15 hours 4 days | 20 - 23 July | 30 June | € 450 | Enroll | |
| Rendering surfaces* | RE.1 | 12 hours 2 days | 24 - 25 September | 10 September | € 300 | Enroll |
| Title/Contents | Course code | Duration | Schedule | Deadline | Tuition Fees | Requirements of admission | Enrolment |
| Stone Setting Flash (INPR1.F, INSB.F, INSG.F, INBI.F, INSGR.F) | INC.FLASH | 48 Hours 7 Days | 14 - 22 September | 31 August | € 1.000 | Enroll | |
| Stone setting with griffe (Solitaire or trilogy) | INPR1.F | 12 Hours 2 Days | 14 and 15 September | 31 August | € 300 | Enroll | |
| Stone setting on bezel | INBS.F | 12 Hours 2 Days | 16 and 17 September | 31 August | € 300 | Enroll | |
| Flush setting | INSG.F | 8 Hours 1 Day | 18 September | 31 August | € 200 | Basic competences of stone setting techniques | Enroll |
| Channel setting | INBI.F | 8 Hours 1 Day | 21 September | 31 August | € 200 | Basic competences of stone setting techniques | Enroll |
| Fishtail setting | INSGR.F | 8 Hours 1 Day | 22 September | 31 August | € 200 | Basic competences of stone setting techniques | Enroll |
| Stone setting with griffe and stone setting on bezel (INPR1.F, INSB.F) | INC1.F | 24 Hours 4 Days | 14 and 17 September | 31 August | € 550 | Enroll | |
| Stone setting with griffe, stone setting on bezel and Flush setting (INPR1.F, INSB.F, INSG.F) | INC2.F | 32 Hours 5 Days | 14 and 18 September | 31 August | € 750 | Enroll | |
| Channel setting and Fishtail setting (INBI.F, INSGR.F) | INC3.F | 16 Hours 2 DayS | 21-22 September | 31 August | € 350 | Basic competences of stone setting techniques | Enroll |
| Title/Contents | Course code | Duration | Schedule | Deadline | Tuition Fees | Requirements of admission | Enrolment |
| Hand-engraving full courses (EN.1, EN.2, ENJF.1, ENJF.2, ENJF.3) | EN.FLASH | 72 Hours 16 Days | 2 - 24 September | 31 August | € 1.600 | Enroll | |
| Segnatura* | EN.1 | 12 Hours 3 Days | 2 - 4 September | 31 August | € 300 | Enroll | |
| Engraved texture* | EN.2 | 16 Hours 4 Days | 7 - 10 September | 31 August | € 400 | Enroll | |
| Introduction to engraving on jew- ellery | ENJF.1 | 12 Hours 2 Days | 14 e 15 September | 10 September | € 300 | Enroll | |
| Background, granite, and silk on jewellery | ENJF.2 | 8 Hours 1 Days | 16 September | 10 September | € 200 | ENJF.1 or equivalent | Enroll |
| Cursive writing on metal plate * | ENJF.3 | 24 Hours 6 Days | 17 - 24 September | 10 September | € 600 | ENJF.1 or equivalent | Enroll |
| Hand-engraving on plate flash (EN.1, EN.2) | ENP.F | 28 Hours 7 Days | 2 - 10 September | 31 August | € 650 | Enroll | |
| Hand-engraving on jewels flash (ENJF.1, ENJF.2) | ENG.F | 20 Hours 3 Days | 14 - 16 September | 10 September | € 450 | Enroll |
| Title/Contents | Course code | Duration | Schedule | Deadline | Tuition Fees | Requirements of admission | Enrolment |
| Stringing pearls | PEARL | 16 Hours 2 Days | 23 and 24 September | 10 September | € 400 | Enroll |
CAD.WE1 Introduction to Rhino3D for Goldsmithing. Online Course
This course focuses on creating rings and pendants from non-complex shapes using a range of commands, including creating and modifying curves, moving, rotating, scaling, copying, and subdividing shapes, using the 1-track sweep technique and utilizing control points.
RE.1 Diamond colouring
Watercolour rendering of brilliant diamond cut.
RE.2 Ink pen sketches and renderings
In this workshop fast representation techniques are applied with the use of ink pens. Starting from different representation techniques for flat surfaces, curved, cylindrical and conical surfaces, we move on to representation of cabochons and faceted gemstones, pave, pearls and other materials. The aim of the workshop is to give the student the tools and methods to realize monochromatic jewellery drawings through fast chiaroscuro” ink pen techniques that will give an immediate visual impact.
RE.3 Rendering with markers and watercolor pencils.
In this workshop representation techniques using alcohol and water-based markers and watercolor pencils are covered and employed. Starting from different representation techniques of flat, curved, cylindrical and conical surfaces, both polished and satin finished, of precious metals. Then we move on to drawing of precious stones: cabochons and faceted stones,
semi-precious stones, pearls, corals and other materials. The aim of the workshop is to provide the student with the tools and methods to realize jewellery renderings through the use of fast but visually striking representation
RE.4 Digital rendering with photoshop, illustrator and procreate.
In this workshop, digital representation techniques using Photoshop and Illustrator software, and the Procreate application are illus trated and employed. As usual, we start with representation techniques of flat, curved, cylindrical and conical surfaces, both polished and satin-finished, of precious metals. Then we move on to digital representation of precious stones: cabochons and faceted stones, semiprecious stones, pearls, corals, pavés of diamonds. The advantages of digital rendering and the possibility of modifying the design and adapting it to different requirements in a very short time are high lighted. The aim of the workshop is to train the student with the tools to realize renderings through the use of digital jewels illustrations and painting, which is highly fast, dynamic and expressive.
EN.1 Segnatura
Exercises on metal sheet and introduction to the art of segnatura. Drawing, writing with marks, and delineating geomet ric shapes on a metal sheet.
EN.2 Engraved texture
The course aims to teach drawing and engraving with a burin to create different textures and patterns. Starting with basic graphic ele ments like simple lines, participants will learn how to create more complex motifs, up to ornaments and abstract compositions. They will also learn how to imitate natural surfaces, studying the structures to create effects such as bark or wood, animal skin patterns, or stone surfaces.
ENJF.1 Introduction to engraving on jewellery
After learning the burin preparation technique and becoming familiar with the tools, participants will start engraving on copper sheets and silver rings.
ENJF.2 Background, granite, and silk on jewellery
Engravings on a silver leaf, using backgrounds, granite, silk, and engraving veins to enhance the natural effect. Granite is used to create a homogeneous background that contrasts with subsequent shiny engravings, enhancing them.
ENJF.3 Cursive writing on metal plate
The objective of the course is to teach the engraving of names in English cursive on flat plates. This course is beneficial for both goldsmiths and engravers. It can be used to sign one’s own work by using a metal plate, ‘write’ names, initials, and dates with a graver, etc.
INPR1.F Setting with prongs (solitaire or trilogy)
The prong setting is the most commonly used for solitaire and trilogy rings, and it enhances the beauty of the stone. Participants will learn how to set brilliant-cut round stones on silver rings and other semi-finished products.
INBS.F Setting with different-shaped settings
The stone is set in the previously prepared seat (setting). The metal collar is fixed on the stone with a chisel or a hammer. For the exercis es, semi-finished products with settings of various shapes will be used, and participants will learn how to set faceted stones of different cuts (round, square or princess) and round cabochon-cut stones.
INSG.F Flush setting
The technique of flush setting, in which the stones are not covered by the metal at all, makes the stones appear larger than they actually are. This type of setting is particularly suitable for small round stones, and is often used for “light points” and in tennis bracelets. During the course, exercises will be carried out on silver or bronze plates and semi-finished products.
INBI.F Channel setting
Channel setting is one of the most common types of setting: this type of mounting gives beauty to stones arranged in a row next to each other. It is a type of setting suitable for not large stones, usually all of the same size. The most used cuts for this type of setting are square and baguette, but excellent results are also obtained with round stones.
INSGR.F Bead setting
This technique partly recalls the prong setting, but the use of special mills and gravers makes it very different in realization and suitable for objects to be produced in series or simple on unique objects. The setter obtains small prongs by cutting the base metal and shaping the metal blocks according to their own taste.
SMAF.2 Liquid enamel
Students will be guided through exercises that teach them how to understand the material and how it will respond to certain situations. The students will then be asked to begin layering techniques and application methods associated with liquid enamels, pushing the bound aries of what they are learning. Alternative materials will be incorporated into the enamel and firing process. The enamels will be kiln and also torch fired ( this depends if we may bring one torch into the studio), offering more variation to the surface of the enamel. Exploring the possibilities students will be expected to present a collection of their research as demonstration through several pieces with appropriate documentation of their processes. Advanced students will also be asked to develop one process into a completed piece that may be wear
able or sculptural.
SMA.WE Fire enamels, wet enamel, dry enamel, champlevé.
The course aims to provide the student with the knowledge of the main techniques of fire enamel applied to metal and in particular on jew ellery objects. Practical lessons and exercises. Dry enamel, wet enamel and champlevè.
PEARL Stringing pearls
The course involves the creation of a pearl necklace from start to finish. Participants will learn the fundamental basics of threading and how to use the necessary materials for this art. The course is aimed at those who, for creative, commercial, and hobbyist purposes, want to learn this technique
The 3–4-week intensive courses are open to everyone, offering the opportunity to acquire professional technical skills in a short timeframe. They can be especially beneficial for individuals who are already working or studying and cannot commit to long-term courses. On the other hand, newcomers to the field will find these courses an excellent opportunity to explore whether their passion/hobby can evolve into a profession.
All intensive courses are taught by LAO’s faculty and instructors.
Tutti i corsi intensivi sono impartiti da docenti e istruttori di LAO.
| Title/Contents | Course code | Duration | Schedule | Deadline | Tuition Fees | Enrolment |
| Jewellery design | DI.I | 45 hours | 6 - 23 July | June, 20th | € 1.200 | Enroll |
| Stone setting | IN.I | 100 hours | 1 – 29 July | June, 30th | € 2.700 | Enroll |
| Hand engraving on jewellery | ENAV.I | 50 hours | 1 – 10 July | June, 30th | € 1.300 | Enroll |
| Lost-wax casting | MIC.I | 12 hours | 23 - 25 September | September 20th | € 300 | Enroll |
DI.I Jewellery design intensive course
The intensive course is suitable for both beginners and advanced students and is excellent for goldsmiths looking to enhance their skills. No drawing skills are required to enroll in this course; the entire program will start from basic concepts accessible to everyone. Throughout the course, students are provided with tools to create monochromatic jewelry designs through fast shading techniques that deliver immediate visual impact. Representation techniques using ink pens, alcohol and water-based markers, and watercolor pencils are applied. The last part of the course focuses on dynamic and expressive digital painting. Digital representation techniques are illustrated and utilized using Adobe Photoshop, Illustrator, and the Procreate application.
IN.I Stone setting intensive course
The intensive stone setting course is suitable for young students as well as for goldsmiths who need to learn this art to cope with their daily work problems. The classes are all held in the workshop and include demonstrations and exercises that will go through all the stages of gemstone setting on metal, using high-quality silver semi-finished products and cubic zirconia. The course starts with rela tively simple setting techniques, such as prongs and bezels, and progresses to more complex work.
ENAV.I Hand engraving on jewellery intensive course
This course includes exercises on semi-finished products in gold-plated and silver (rings, pendants, bracelets), allowing participants to learn a challenging and refined art that can transform a simple object into a small work of art.
EN.I Hand engraving on plate intensive course
This course focuses on engraving on flat sheets for the creation of decorative designs, printing matrices, and everyday objects (frames, boxes, etc.). Exercises will be carried out on brass and silver plates.
MIC.I Lost-wax casting intensive course
The lost-wax casting course covers the process, tools, and equipment used in lost-wax casting. The course covers the creation and cutting of molds, creation of cold-silicone molds, wax injection of prototypes, wax models from 3D printers, construction of the wax tree, realization of the investment, firing of the cylinders, casting the molten metal, pulverizing of the refractory material, and cleaning treatments of the casted pieces.
LAO invites guest teachers and artists from the jewellery world to lead workshops, offering students the chance to exchange ideas and gain insights from professionals. These workshops are a valuable tool for professional growth and provide a platform for creative experimentation.
| Title/Contents | Course code | Duration | Schedule | Deadline | Tuition Fees | Requirements of admission | Enrolment |
| Monumental Jewellery: CAIRN with Bruno villani | W.MON | 15 hours, 3 days | 16 - 18 February | 15 January | € 600 | Basic knowledge of goldsmithing techniques | Enroll |
| Controlled Random Modelling with Abolfazl Rahbarian - Ebi | W.MOD | 15 hours, 3 days | 2 - 4 March | 31 January | € 600 | Basic knowledge of goldsmithing techniques | Enroll |
| Mechanical Jewellery with Abolfazl Rahbarian - Ebi | W.MEC | 20 hours, 4 days | 9 - 12 March | 31 January | € 800 | Basic knowledge of goldsmithing techniques | Enroll |
| Contemporary protective jewellery: Amulets in a modern world with Martina Dempf | W.AMU | 24 hours, 3 days | 16 - 18 March | 15 February | € 1.200 | Basic knowledge of goldsmithing techniques. Participants should have an interest in the cultural history of jewellery, with a focus on amulets and their creative potential | Enroll |
| Architecture to Wear: ALIF PANTHEON with Bruno Villani | W.ARC | 25 hours, 5 days | 13 - 17 April | 15 March | € 1.000 | Intermediate/advanced knowledge of goldsmithing techniques | Enroll |
| Granulation basics with David Loepp | GRA | 24 hours, 3 days | 19 - 21 May | 15 April | € 1.200 | Intermediate level of proficiency and basic knowledge of metallurgy, particu- larly the properties of metals and the preparation of alloys | Enroll |
GRA Granulation Basics – A modern approach
Program and content curated by invited teacher David Loepp
The goal of the workshop is to teach you the basic skills of traditional joining techniques with copper salts with an eye on using these skills to design and fabricate contemporary objects. While the technique of granulation requires long term repetition to develop proficiency and mastery, the basic skills and insights gathered during the course will prepare you to continue in autonomy.
Silver alloys will be used during the course, unless you wish to use gold at your own expense.
The school provides included in the participation fee the pure and alloyed silver needed for the exercises. The objects made by participants remain their property.
David Loepp was born in 1951 and grew up in Wyoming.
In 1969 he moved to Paris. Three years later he moved to Sicily where he apprenticed as a goldsmith and sculpture. Fascinated by ancient jewellery, he worked primarily with the exponents of “archeogioielleria” in Messina and Rome where he opened a workshop in 1996. He has worked in experimental archaeology for the past two decades in collaboration with the Universi ty of Rome la Sapienza, Italy’s National Research Council and the Antiquitates Center for Experimental Archaeology in Civitella Ce sa.
Long-term projects in experimental archeology include:
– The refining of gold and thermodynamic characterization of the process based on evidence from Sardis and the interpretation of textual sources.
– Characterization of the color phenomena of shakudo.
– Ancient strategies for the reduction of chalcopyrite ores and the winning of copper.
3D.1 3D Printing: from machine operation to the study of printable models
Programs and content curated by invited teacher Emanuele Matronola
In today’s reality, digital technologies and informatics have become an integral part of our lives. In every field, there is a constant in quiry into the possibilities and interactions that the virtual world can have with the real world. 3D printing techniques, which involve a set of operations aimed at obtaining a physical representation of virtual models, applied in artistic, industrial, and artisanal fields, can form the foundations of communion between tradition and modernity.
Through this course, students will have the opportunity to experiment and develop specific skills related to the design study of virtual models in order to make them achievable with 3D printers. It will be crucial to understand these machines in their limits and structure to become informed and independent users in managing processes that are now considered fundamental in the professional environ ment.
3D.AZ Corporate training for 3d printing operators
Programs and content curated by invited teacher Emanuele Matronola
The training program involves the theoretical and practical education of the user in the management of 3D printers, covering machine maintenance, the study of printable models, and concluding with the setup. For educational purposes, the examined equipment will be SLA and FDM 3D printers, respectively using liquid resin and melting plastic filament. The use of semi-professional printers will allow addressing challenges related to systems with limited functionalities, different from industrial machines engineered to minimize or entirely eliminate typical issues of these instruments. The goal is to educate an operator who is aware of potential challenges in using these machines and is prepared to critically and objectively address the research and resolution of problems independently.
Program and content curated by invited teacher Martina Dempf
Jewellery often and to a certain degree has a connotation of metaphysical character of amulets. The workshop is designed to explore and research questions of personal identity in relation to amulets as protective objects, in order to release psychological stress and to feel good. The exceptional character of amulets is a trigger for creativity in order to find contemporary answers to this human desire.
Migration, diversity, cultural identity and their interdependencies are increasingly daily realities of people and cultures everywhere. The world has become “smaller” as we are frequently on the move, but “bigger”, as we are expected to understand ourselves and our interaction with other cultures in a broader context. In challenging times like today we often get the feeling of having lost control over what is happening around us, and we are seeking safety – a feeling which has actually accompanied mankind since its beginning. People tried to find protection, and they did it individually and as social groups by creating and using amulets – and we do so until today.
Program and content curated by invited teacher Bruno Villani
A cairn is a man-made pile of stones, whose shape can vary from simple arrangements to true monumental structures.
Originating in prehistoric times as burial monuments, cairns were also used as trail markers to guide travellers through natural landscapes.
Beyond their practical purpose, these structures hold deep symbolic and spiritual meaning: they can represent the search for balance, a connection with nature, or the human desire to leave a trace of one’s passage.
Similar forms are found in various cultures: in Japanese Suiseki, Chinese Gongshi, and Korean Suseok, smooth water-shaped stones are appreciated as objects of contemplation and meditation.
Inspired by these ideas, the class will create a ring based on the concept of the cairn. The project becomes an opportunity to reflect on the meaning of “marking the path”—both in the landscape and in one’s personal growth.
Materials used during the seminar include sea or river stones, wood, sea- or wind-polished glass, plexiglass, hinges, and threaded rods.
Teaching language: Italian
Program and content curated by invited teacher Bruno Villani
The goal of this seminar is to design and create a contemporary architectural-inspired jewel, applying goldsmithing techniques through an engineering-based approach.
By analysing and reinterpreting iconic architectural structures such as Norman Foster’s Alif (United Arab Emirates) and the Pantheon in Rome, students will be guided in transforming architectural forms into wearable creations.
Materials used during the seminar include lava stone, rock crystal, plexiglass, and mechanical components such as hinges and threaded rods.
Teaching language: Italian
Program and content curated by invited teacher Abolfazl Rahbarian – Ebi
Through techniques of weaving, compressing, and deforming metal—initially performed in part randomly—the structure of the jewellery piece gradually takes shape.
The process evolves step by step, guided toward the realization of the original design, balancing spontaneous gesture and creative control.
Teaching language: Italian / English
Program and content curated by invited teacher Abolfazl Rahbarian – Ebi
Creation of jewellery inspired by the mechanical universe, integrating visual engineering elements and small functional mechanisms within the design.
The aim is to merge the aesthetics of engineering and the precision of technical forms with the expressiveness and freedom of artistic creativity.
Teaching language: Italian / English
LAO offers one- to two-day courses to all those who want to try their hand at making a piece of jewellery under the guidance of a master craftsman and take a precious memory of Florence with them. No previous experience is required. The craft experience courses are activated upon request at any time of the year.
The cost indicated is per participant in a group of 5 people.
It is possible to request individual or smaller group experiences and interested individuals can contact the administration to request courses with different content from those listed: info@artiorafe.it
| Title/Contents | Description | Course code | Duration | 1 participant | 2 participant | 3 participant | Enrolment |
| Trilogy Experience | Symbol of eternal love, the trilogy ring represents a bond that goes beyond every barrier of time. The perfect ring for every anniversary. The teacher will explain step by step how to set stones in a ring using the prong setting technique. At the end of the day, participants will be able to keep the piece of jewelry they made: a silver ring with brilliant-cut Swarovski cubic zirconia. | INC.EX | 6 Hours | € 440 | € 300 | € 220 | Enroll |
| The Solitaire ring | The solitaire is the most classic piece of jewelry: a symbol of a promise of eternal love, perfect for a special occasion or marriage proposal, and ideal to accompany one of life's most important moments. The teacher will guide participants step by step to set a gemstone on a silver solitaire ring (gold on request), prepared in ad- vance and provided to each participant. | INC.EX2 | 3 Hours | € 220 | € 150 | €120 | Enroll |
| Burin engraving on pendant or other silver object | The refined art of hand engraving has its best masters in Florence: the course includes the use of the burin to engrave a small silver pendant (gold on request), with use of backgrounds, granite, silk, etching of veins that | EN.EX | 3 Hours | € 220 | € 150 | €120 | Enroll |
| Burin Engraving on flat metal surface | This exercise involves making different textures and patterns on a flat metal surface by burin engraving. Participants can choose the silver (gold on request) pendant on which to make their own pattern from some of the proposed ones. | ENJ.EX | 3 Hours | € 220 | € 150 | €120 | Enroll |
| Enameling of a silver pendant | Participants have some silver pendants (gold on request) to color with fire enamels that will then be fired in the kiln and finished by the participants themselves. A sophisticated and fascinating technique, fire enameling lends great beauty and preciousness to even a sim- ple object. | SMA.EX | 3 Hours | € 220 | € 150 | €120 | Enroll |
| Making your own wedding rings | Participants in this activity make wedding rings for their own wedding or for the wedding of friends/relatives. LAO suggests several models that can also be customized, in addition to the bride and groom's names listed inside the wedding bands and the wedding date. Participants can also propose their own models, with drawings or pictures to be sent in advance. The cost of the metal used will be borne by the participants, who may also bring metal of their own. | FEDI.EX | 8 Hours | € 800 | Enroll |
Interested parties may also contact the secretariat to request contents other than those listed: info@artiorafe.it
| Title/Contents | Course code | Duration | Schedule | Deadline | Tuition Fees | Enrolment |
Basic course in metal sculpture: embossing and chiselling.
The student will acquire basic skills to craft and decorate metal through embossing and chiselling, aiming to create a piece of jewel lery or a decorative object.